Bran (Suibhne), plaster, 2008

Natural Character

"This is the concept of bodging: to use by-products of woodland management and to make what you need, using only what you can carry or what the land itself can sustain - the perfect example of environmental, economic and social sustainability. The resulting products maintain much of their natural character."

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Turning Green...

In order to use the timber of a mature tree for furniture and other structures, sophisticated tools and processes are required. Saws are needed, drying kilns, means of transport and lots of fuel. So why not use something that is the right size right from the beginning? This is the concept of greenwood work or bodging: to use by-products of woodland management, often commonage, and to make what you need, using only what you can carry or what the land itself can sustain - the perfect example of environmental, economic and social sustainability. The resulting products maintain much of their natural character, but need not look rustic or primitive. Natural curves, imperfections, and proportions can add to the design, as long as the maker understands this and knows how to turn them to the piece’s advantage. Every branch and every twig needs to be selected for a special purpose according to its qualities and the most appropriate joints. A humble way of design, it respects everything that is taken from nature, recognising its individual character and presence. Japanese Zen masters have acknowledged this way of respecting material with the term wabi-sabi.

Holger has been working with greenwood since 2005 and has run workshops in using traditional woodworking tools, including the pole lathe.

Bodging Techniques

Bodging Techniques

Bodging Processes

Various processes, involving pole lathing, cleaving, shaving and splitting, were acquired and have been applied to the research. In comparison to conventional techniques, pole-lathing, for example, can be learned and applied in a relatively short time and presents fewer safety risks than using comparable woodwork machinery. Processes are also less wasteful and the tools and facilities can be made in a short time with little costs involved. The wood needs no seasoning and is used in an un-machined state. As a result, this low-technology presents an ideal solution for makers and students who only need occasional access to these techniques for their work and want to maintain full control over all stages of the manufacturing process. The natural form of the wood, often twisted or bent, requires the designer/maker to work with the particular qualities of the material, while still being able to produce and finish work with great precision using these techniques.

Holger's pole lathe in the photo above is made from discarded industrial pallets.